The school system may be made to be a great deal profitable, says Bob Bowdon, however entirely at the expense of things comparable to teachers and students. In his documentary "The Cartel," Bowdon, a New Jersey television news newsperson, turns the camera on the massive degeneracy and misdirection that has led his state to squander more than any other on its students just with substandard results. The numbers express the tale: $17,000 exhausted per student, and there's simply a 39% reading proficiency rate, it's tough to argue that there's a crisis afoot, but harder to concur on a solution.
On the one side is the monumental Jersey teachers union and shady school officials, who make certain that, as Bowdon points out in his picture, 90 cents of every tax dollar go for other expenses, including six figure incomes for school administrators and, in a staggering example, a school board secretary who makes $180,000. On the other side are the supporters of a charter education system, private schools in which parents can use tax vouchers to pay tuition and leave behind the public nightmare. One of Bowdon's principal criticisms is that a teacher, even a deficient one, basically can't be fired -- which provides zero effort to do much literal instruction.
"'The Cartel' examines lots of unique aspects of public education, tenure, backing, patronage drops, corruption --meaning thievery -- vouchers and charter schools," says Bowdon. "The label education documentary possibly could sound to some like ho-hum squared, but in fact the film itself betrays an fiery passion for the quandary of particularly inner-city children."
"The Cartel" first appeared on the festival circuit in summer 2009, appearing in theaters nationwide a year later. Hopefully it will get a rise, and not be overshadowed, by the more recently released docudrama "Waiting for Superman," by "An Inconvenient Truth" director Davis Guggenheim. Bowdon says the documentaries can be seen as companion pieces: his focusing on public policy and Guggenheim's taking the human-interest angle. "My picture is the left-brained version, more analytical," Bowdon says, "'Waiting for Superman' is more the right-brained treatment."
The left-brained position means arguments that watch the economics -- money misspent, opportunities wasted. But that isn't to say the film is without heart. Bowdon makes certain his eye is invariably on the people affected, in particular the inner-city students trapped in a damaged system. A girl's tears upon hearing that she wasn't selected to attend a charter school, that she's stuck in her public school, portray the failure of a system as well as Bowdon's charts and interviews.
It's difficult to see a film about corruption in Jersey and not think of the mob, but it's also unmistakable that this is a national problem seen through a tight lens. A watcher anyplace in the country will discern similar failings in their own school system, and may share Bowdon's frustration and eagerness for a resolution. Bowdon puts his faith in the charter schools, where the taxpayer has influence over the kind and quality of instruction. Nevertheless he also knows it'll be an upward struggle to recover control from those who've worked so hard to make education very profitable for the very few. - 40728
On the one side is the monumental Jersey teachers union and shady school officials, who make certain that, as Bowdon points out in his picture, 90 cents of every tax dollar go for other expenses, including six figure incomes for school administrators and, in a staggering example, a school board secretary who makes $180,000. On the other side are the supporters of a charter education system, private schools in which parents can use tax vouchers to pay tuition and leave behind the public nightmare. One of Bowdon's principal criticisms is that a teacher, even a deficient one, basically can't be fired -- which provides zero effort to do much literal instruction.
"'The Cartel' examines lots of unique aspects of public education, tenure, backing, patronage drops, corruption --meaning thievery -- vouchers and charter schools," says Bowdon. "The label education documentary possibly could sound to some like ho-hum squared, but in fact the film itself betrays an fiery passion for the quandary of particularly inner-city children."
"The Cartel" first appeared on the festival circuit in summer 2009, appearing in theaters nationwide a year later. Hopefully it will get a rise, and not be overshadowed, by the more recently released docudrama "Waiting for Superman," by "An Inconvenient Truth" director Davis Guggenheim. Bowdon says the documentaries can be seen as companion pieces: his focusing on public policy and Guggenheim's taking the human-interest angle. "My picture is the left-brained version, more analytical," Bowdon says, "'Waiting for Superman' is more the right-brained treatment."
The left-brained position means arguments that watch the economics -- money misspent, opportunities wasted. But that isn't to say the film is without heart. Bowdon makes certain his eye is invariably on the people affected, in particular the inner-city students trapped in a damaged system. A girl's tears upon hearing that she wasn't selected to attend a charter school, that she's stuck in her public school, portray the failure of a system as well as Bowdon's charts and interviews.
It's difficult to see a film about corruption in Jersey and not think of the mob, but it's also unmistakable that this is a national problem seen through a tight lens. A watcher anyplace in the country will discern similar failings in their own school system, and may share Bowdon's frustration and eagerness for a resolution. Bowdon puts his faith in the charter schools, where the taxpayer has influence over the kind and quality of instruction. Nevertheless he also knows it'll be an upward struggle to recover control from those who've worked so hard to make education very profitable for the very few. - 40728
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