The Dead or Alive Trilogy belongs on your must see movie downloads list simply because it's so crazy. You've seen action movies, you've seen over the top action movies, but you've never seen anything quite like these three flicks from Mike Takashi . Every one is out to top the last in terms of sheer craziness.
The first in the series, Dead or Alive, was focused on the idea of simply teaming up the cult legends Sho Aikawa and Riki Takeuchi, sort of the Robert DeNiro and Al Pacino of the cult Japanese film scene. So think of it like Japan's answer to Heat. Interestingly, the movie was meant to solve one of the main problems with that movie: The ending was kind of an anti-climax.
We won't spoil the ending of Dead or Alive, but let's just say that it's certainly not an anti-climax. The entire movie is a thrill ride, starting with a rock video style montage that gets you into the movie's world fast, and culminating in an ending that you will not believe.
The second in the trilogy offers a different sort of approach with the same crazy style. This one recasts the two leads as two new characters. Where the first had the two as rival cop and gangster, this one has them as a pair of hitmen who grew up together and who donate all of their money to fighting diseases in developing countries.
This one is much more positive, much more life affirming, and surprisingly sweet and sentimental, whereas the first was relatively dark and negative in comparison. It's interesting having these two movies, that are so different from each other, and yet have so much in common.
The third takes the whole series in an all new direction, going into science fiction akin to Blade Runner or Robocop, that sort of cyberpunk, androids and megacorporations sort of theme. It's probably the least interesting of the trilogy, but it's really interesting for how it ties the whole thing together.
Check out Deadly Outlaw Rekka if you want more Miike. It has the same sort of over the top, insane attitude towards the story, and recasts Riki Takeuchi in the title role, as he seeks to avenge the death of his surrogate father. What really makes that movie work is the style. The story is standard revenge stuff, but it's all set to an alternative rock album from the seventies by the Traveling Sunflower Band, and the action is all out stuff. Takeuchi also turns in an interesting performance as the unstable and unpredictable Rekka.
The trailer for the first movie in the trilogy proudly declares that Miike is the mad dog of Japanese film, and it's true, that's not just hyperbole. The guy makes something like four or five movies a year, and has created over one hundred total over the course of his career. Not all of them are of the same quality, but for just one in ten movies to be great, that's ten great films, which is more than most directors ever get a chance to put out. - 40728
The first in the series, Dead or Alive, was focused on the idea of simply teaming up the cult legends Sho Aikawa and Riki Takeuchi, sort of the Robert DeNiro and Al Pacino of the cult Japanese film scene. So think of it like Japan's answer to Heat. Interestingly, the movie was meant to solve one of the main problems with that movie: The ending was kind of an anti-climax.
We won't spoil the ending of Dead or Alive, but let's just say that it's certainly not an anti-climax. The entire movie is a thrill ride, starting with a rock video style montage that gets you into the movie's world fast, and culminating in an ending that you will not believe.
The second in the trilogy offers a different sort of approach with the same crazy style. This one recasts the two leads as two new characters. Where the first had the two as rival cop and gangster, this one has them as a pair of hitmen who grew up together and who donate all of their money to fighting diseases in developing countries.
This one is much more positive, much more life affirming, and surprisingly sweet and sentimental, whereas the first was relatively dark and negative in comparison. It's interesting having these two movies, that are so different from each other, and yet have so much in common.
The third takes the whole series in an all new direction, going into science fiction akin to Blade Runner or Robocop, that sort of cyberpunk, androids and megacorporations sort of theme. It's probably the least interesting of the trilogy, but it's really interesting for how it ties the whole thing together.
Check out Deadly Outlaw Rekka if you want more Miike. It has the same sort of over the top, insane attitude towards the story, and recasts Riki Takeuchi in the title role, as he seeks to avenge the death of his surrogate father. What really makes that movie work is the style. The story is standard revenge stuff, but it's all set to an alternative rock album from the seventies by the Traveling Sunflower Band, and the action is all out stuff. Takeuchi also turns in an interesting performance as the unstable and unpredictable Rekka.
The trailer for the first movie in the trilogy proudly declares that Miike is the mad dog of Japanese film, and it's true, that's not just hyperbole. The guy makes something like four or five movies a year, and has created over one hundred total over the course of his career. Not all of them are of the same quality, but for just one in ten movies to be great, that's ten great films, which is more than most directors ever get a chance to put out. - 40728
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This the bit everyone remembers, whistles and sings along to. Watch Movies Over The Internet We may as well cooperate and put them on our Ipod; they are stuck in our heads for life, whether we like it or not. The sarangi is a multi-stringed instrument, somewhat similar to the violin.
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